B
2015
Materials Innovation supported by The Clothworkers' Foundation
2017
Furniture Design supported by the David Collins Foundation
2016
Jewellery Design
2010
Graphic Novels
2010
Graphic Novels
C
2012
Product Design
2012
Product Design
F
2010
Graphic Novels
2006
Furniture Design
2016
Materials Innovation supported by The Clothworkers' Foundation
2017
Furniture Design supported by the David Collins Foundation
G
2015
Materials Innovation supported by The Clothworkers' Foundation
H
2001
Landscape Design
2014
Materials Innovation supported by The Clothworkers' Foundation
2016
Materials Innovation supported by The Clothworkers' Foundation
2008
Lighting Design
K
2012
Product Design
2003
Graphic Design
2018
Twenty Fifth Anniversary Awards
2002
Fashion Design
2016
Jewellery Design
L
2012
Product Design
2014
Materials Innovation supported by The Clothworkers' Foundation
M
2017
Furniture Design supported by the David Collins Foundation
2010
Graphic Novels
2017
Materials Innovation supported by The Clothworkers' Foundation
2016
Materials Innovation supported by The Clothworkers' Foundation
N
2003
Graphic Design
P
2014
Materials Innovation supported by The Clothworkers' Foundation
2017
Furniture Design supported by the David Collins Foundation
R
2016
Jewellery Design
2017
Materials Innovation supported by The Clothworkers' Foundation
S
2016
Materials Innovation supported by The Clothworkers' Foundation
2015
Materials Innovation supported by The Clothworkers' Foundation
2017
Materials Innovation supported by The Clothworkers' Foundation
v
2014
Materials Innovation supported by The Clothworkers' Foundation
V
2016
Jewellery Design
W
1996
Furniture Design
2017
Materials Innovation supported by The Clothworkers' Foundation

Vann Kwok

Jewellery Design - Winner 2016

For Hong Kong born Vann Kwok, jewellery design provides a perfect platform to thread together her interests and experience spanning design, fashion, photography and motion picture.
Her work is largely informed by historical references to painting and sculpture as seen in her recent collection completed for her Masters at the London College of Fashion which drew inspiration from the compositions of colour, line, form and space of early Western still life and modernist geometric abstract painting.
Albeit with references to the past her work also has a contemporary feel coming from her use of material and sense of materiality. Calling her work ‘modern alchemy’ she adds, ‘I experiment with materials’ logic in response to forces such as gravity, weight, cooling, heating. pressure and their corresponding effects – melting, free-flowing and bending. I look for odd, misshapen or awkward results that carry the trace of chance.’