B
2015
Materials Innovation supported by The Clothworkers' Foundation
2017
Furniture Design supported by the David Collins Foundation
2016
Jewellery Design
2010
Graphic Novels
2010
Graphic Novels
C
2012
Product Design
2012
Product Design
F
2010
Graphic Novels
2006
Furniture Design
2016
Materials Innovation supported by The Clothworkers' Foundation
2017
Furniture Design supported by the David Collins Foundation
G
2015
Materials Innovation supported by The Clothworkers' Foundation
H
2001
Landscape Design
2014
Materials Innovation supported by The Clothworkers' Foundation
2016
Materials Innovation supported by The Clothworkers' Foundation
2008
Lighting Design
K
2012
Product Design
2003
Graphic Design
2018
Twenty Fifth Anniversary Awards
2002
Fashion Design
2016
Jewellery Design
L
2012
Product Design
2014
Materials Innovation supported by The Clothworkers' Foundation
M
2017
Furniture Design supported by the David Collins Foundation
2010
Graphic Novels
2017
Materials Innovation supported by The Clothworkers' Foundation
2016
Materials Innovation supported by The Clothworkers' Foundation
N
2003
Graphic Design
P
2014
Materials Innovation supported by The Clothworkers' Foundation
2017
Furniture Design supported by the David Collins Foundation
R
2016
Jewellery Design
2017
Materials Innovation supported by The Clothworkers' Foundation
S
2016
Materials Innovation supported by The Clothworkers' Foundation
2015
Materials Innovation supported by The Clothworkers' Foundation
2017
Materials Innovation supported by The Clothworkers' Foundation
v
2014
Materials Innovation supported by The Clothworkers' Foundation
V
2016
Jewellery Design
W
1996
Furniture Design
2017
Materials Innovation supported by The Clothworkers' Foundation
Facebook
Twitter

Peter Marigold

Furniture Design supported by the David Collins Foundation - Shortlisted 2017

Informed by his varied background in sculpture (BA Sculpture, Central St. Martins 1997) and various jobs doing theatrical prop making, costumery and set construction, Peter Marigold’s approach to furniture design covers a wide range of materials and an even wider range of techniques, processes and concepts.

A recurring motif in Marigold’s work is geometry; his current work-in-progress for the facade of the Royal Hospital for Sick Children (Edinburgh) takes microscopic skin patterns and sets them in concrete to cover the exterior wall of the building. The changeability of materials is another central theme; his Bleed Series (2013) features stripped steel nails in wood which gradually bleed down the structure.

His ongoing Split Boxes project features sets of boxes that are irregular, yet complete, being created from a single log split into four unequal pieces, but always with the combined angle total of 360 degrees. They were commissioned to become part of the permanent collection of CNAP, France in 2015 and were also installed as part of the permanent collection of the Museum of Israel, Jerusalem in the same year.