A
2010
Cinematography
1996
Conducting
2009
Storytelling
1997
Glass
2010
Textile Art
B
2012
Opera Composition
2012
Sculpture
2011
Short Story Writing
2011
Yoma Sasburg Fellowship for Sculpture
2012
Poetry
2010
Cinematography
2011
Live Performance Art
2012
Animation
2004
Animation
2010
Graphic Novels
2012
Choreography
2012
Opera Composition
2010
Graphic Novels
1996
Lighting Design
C
2012
Product Design
2004
Ceramics
2007
Creators of Theatre for Children
2001
Jewellery Design
1998
Opera Composition
2012
Sculpture
2008
Literary Translation
2012
Product Design
2008
Conducting
2010
Textile Art
1994
Painting
2005
New Media Art
1995
Theatre Design
D
2003
Circus
2011
Live Performance Art
E
1998
Ceramics
1993
Ceramics
2012
Sculpture
F
2001
Short Story Writing
1997
Printmaking
2010
Puppetry
1993
Poetry
2002
Sculpture
2010
Graphic Novels
2006
Furniture Design
2009
Interior Architecture
G
2000
Arts Producer
2003
Textiles
2011
Sculpture
1993
Photography
1996
Photography
1998
Opera Composition
1994
Singing
H
2012
Poetry
2007
Photojournalism
2011
Yoma Sasburg Fellowship for Sculpture
2008
Illustration
1994
Textiles
1995
Painting
2004
Playwriting
2010
Textile Art
2000
Painting
1995
Theatre Design
2001
Landscape Design
2011
Ceramics
2011
Live Performance Art
2008
Lighting Design
I
2012
Animation
J
1997
Choreography
2011
Ceramics
1997
Drawing
2011
Live Performance Art
K
1998
Playwriting
2001
Film Directing
1998
Sculpture
2012
Product Design
2003
Graphic Design
2002
Fashion Design
1995
Scriptwriting
L
2010
Jewellery Design
2006
Jazz Composition
2006
Comedy Writing
2011
Folk Music
2012
Opera Composition
2012
Product Design
2010
Jewellery Design
2001
Theatre Design
2005
Costume Design
2009
Theatre Directing
1995
Metalwork
1995
Painting
2007
Glass
2005
Choreography
M
2012
Opera Composition
2011
Short Story Writing
2011
Folk Music
2012
Animation
2011
Ceramics
1994
Choreography
2010
Graphic Novels
2007
New Fiction
2001
Theatre Design
2005
Curation
2010
Puppetry
1994
Painting
2011
Yoma Sasburg Fellowship for Sculpture
2004
Composition for Musicals
2012
Animation
2003
Documentary Making
2010
Textile Art
N
2011
Folk Music
2003
Graphic Design
2002
Theatre Directing
O
1996
Poetry
P
1996
Thriller Writing
2010
Cinematography
2003
Poetry
2011
Folk Music
Q
2000
Chamber Music
2004
Animation
2011
Short Story Writing
R
1993
Ceramics
2012
Choreography
2012
Poetry
2009
Portraiture
S
2010
Jewellery Design
1995
General Composition
2002
Live Performance Art
2000
Painting
2010
Puppetry
1995
Jazz Composition
2001
Short Story Writing
2000
Photography
2008
Sculpture in Wood
2008
Sculpture in Wood
T
1998
Digital Art
1993
Playwriting
1995
Installation
2005
Instrumentalist
2006
Performance Poetry
V
2002
Live Performance Art
W
1996
Furniture Design
2012
Poetry
1994
Singing
1995
Painting
1994
Mixed Media
2011
Short Story Writing
2012
Poetry
2007
Electro Acoustic Composition
1995
Installation
1997
Glass
1994
Electro Acoustic Composition
Y
2006
Painting
2011
Ceramics

Mervyn Millar

Puppetry - Winner 2010

Mervyn Millar is a theatre director and puppetry specialist. He has directed productions at theatres including the National Theatre (Cottesloe), Battersea Arts Centre, Theatre Royal Plymouth and has toured internationally with his company, wireframe.

Like a lot of puppet makers, he initially learnt by making what he needed for his own shows. With further training at the London School of Puppetry, and by working with more experienced puppeteers including Sue Buckmaster, Steve Tiplady and Handspring, he began to refine his technique and craftsmanship and work as a collaborator with other directors and designers.
He has been Associate Puppetry Director on War Horse for the National Theatre in its London, New York and Toronto productions, and has been part of the creative team from the first workshops, including appearing in the show for the first two seasons. From 2012 he will be the Artistic Director of Handspring UK.

His collaboration with Kazuko Hohki and Andy Cox, Evidence for the Existence of Borrowers, won a Total Theatre Award and a Herald Angel Award. He is the author of The Horse’s Mouth, about the development process of War Horse, and The Journey of The Tall Horse, documenting a collaboration between two African puppet companies. Both books are published by Oberon Books.

Millar describes working in theatre as storytelling; puppetry allows imaginative leaps that both liberate and define that form of storytelling and bring its ‘liveness’ to the surface. In recent years, a lot of Millar’s work has been in training performers and finding languages to communicate techniques of puppeteering.

In his Fellowship year Millar designed and developed a live animation technique using a rotating lightbox, set into a table with clear panes above it, which relays live video feed from above, creating a layered space for storytelling that accommodates, silhouettes, found images, text and close-up camera work. This technique was partly developed in a workshop period with theatre artist Chris Goode.