2015
2015
Choral Conducting
2015
Spoken Word
2015
Materials Innovation supported by The Clothworkers' Foundation
2015
Choral Conducting
2015
Video & Digital for Performance supported by the Lionel Bart Foundation
2015
Arts Producer
2015
Arts Producer
2015
Art in the Elements supported by Yoma Sasburg
2015
Arts Producer
2015
Choral Conducting
2015
Arts Producer
2015
Art in the Elements supported by Yoma Sasburg
2015
Spoken Word
2015
Materials Innovation supported by The Clothworkers' Foundation
2015
Art in the Elements supported by Yoma Sasburg
2015
Spoken Word
2015
Video & Digital for Performance supported by the Lionel Bart Foundation
2015
Spoken Word
2015
Materials Innovation supported by The Clothworkers' Foundation
2015
Choral Conducting
2015
Video & Digital for Performance supported by the Lionel Bart Foundation
2015
Art in the Elements supported by Yoma Sasburg
2015
Materials Innovation supported by The Clothworkers' Foundation
2015
Spoken Word

Dickie Beau

Video & Digital for Performance supported by the Lionel Bart Foundation - Shortlisted 2015

Dickie Beau, the androgynous and gender performance alias of Richard Boyce was first showcased to the public on the drag, cabaret and vaudeville, winning the 2012 London Cabaret Award for Best Alternative Performer. His technique of “playback” has its roots in drag culture and the performance of lip-synching, but Dickie uses this as performance rather than imitation. He creates a sense of the uncanny as a recorded voice is just-out-of-synch with the performer embodying and yet failing to manifest the absent ‘presence’.
His digital work began while performing on the London drag and cabaret scene when by coincidence an abandoned cinema was the setting for his show with the screen a prominent set feature. He began to consider ways he could use it in his show resulting in his first digital-live performance piece where he filmed himself as an interviewer and responded to the recording on stage (A Self Portrait, 2009). It was also when he developed other trademark design and performance mannerisms using interviews with Francis Bacon and developing his unique playback style where the performance and lip synching go against the drag tradition of using a pop song as a performance of extreme or exaggerated femininity. His audio and video were recordings often use tragic gay icons as their subject often at their most vulnerable and flawed state. Researching for his act, he gained rare access to a 5 hour interview with Marilyn Monroe just before her death which had not been publically circulated. His show BLACKOUT:Twilight of the Idols (2013) was the result, a complete work of multiple personas, a communion with the dead, the past being performed as present and the in/visibility of celebrities and icons. Contrasting this with the queer identity and drag performance as an intentional parody are themes continually used to challenge the mainstream gay paradigm and commercialisation of drag performance are recurring themes running throughout much of his work.
His technical competence and conceptual ambition through his playback system has been praised by critics and audience alike with Sight and Sound praising his work in ‘This is Not A Dream’ (film/event, 2013) ‘Best of all are the newly filmed performance pieces from Dickie Beau who reimagines three monologues and transforms them…into arresting works.’ (Alex Davidson, 2014). He is currently collaborating with Hydra Poesis, Perth, Western Australia to create the digital piece ‘Wikileaks: The Ballet’.